Two letters, written by Valenzuela during his confinement in the prison of Chillan, compose the epicentre of the installation. One, addressed to the then president Jorge Alessandri and the other, written one day before its execution, to its mother. Unimaginable: his poetic prose, although full of spelling mistakes and on a sheet of primary school notebook, reflects those residues of good and desires of redemption that every human being keeps. In the installation at MAC Lima, these two documents interact with a series of anonymous photographs gathered from the collection of the National Historical Museum of Chile; institution that labels them under the generic category of "Non-urban regional views". A label as wide as a common grave.